Hi, Friends, thank you for a great patience for my post and warm support! Also, thank you for a big interest in my recent post, "Networking, Illustrator's Essential Skills." I'll update a picture book illustration process and its useful information from time to time. Stay tuned.
BTW, how do you
draw a face (and a figure)?
Where do you start drawing a face? I've realised my
drawing process -- could be -- quite different from others(?!). "Being very flexible" is one of my most strengths in drawing figures.
1) Start from Eyes
I always start drawing eyes, never draw a face line. As my model is moving around all the time, eyes and a nose are more important than any other elements to capture a person's uniqueness and mood in composition. Often
a model turns a face. Me, too, change a face's angle on paper, if necessary. As long as eyes and a
nose are successfully captured, a face comes up well and lively. In my experience, to capture a model's uniqueness is essential in a portrait.
Below, I love a story time best in library activities. In sketching, I drew a daughter's eye first, just focused on a-daughter-and-a-mother and simplified a rest. "The sketch looks lovely and really captures the essence of reading and bonding with children over stories," is librarians' feedback on spot. Parramatta library will hang my sketch on a wall. What a great honour and joy! Probably, this sketch is the most beautiful scene we hope to see in a daily life. Particularly, it's a bliss for a picture book illustrator to see a family happiness in reading. Picture books and drawings bring joy!
This sounds strange though, I "correct" my drawing mistakes in colour or value. Yes, for me, loose lines are enough as long as they are catching the most important elements = I do not care too much about incorrect drawings and really want to move onto colour. My mentor Ann James says, "You're a painter rather than a drawer." It quite makes sense to me. What about you, Friends?
2) End Up Drawing Face Lines
...and my finishing touch is drawing a "face line." The "strongest impression" helps me and it comes up. Or if my sketch depicts the most fascinating moment, it's successful. Otherwise, it becomes dull.
Below, I sketched a sketch club member enjoying lunch. She mostly faced an opposite direction or
faced downward to a table. Her eyes and qute lips(only for a moment stayed like that
way) amused me. I patiently awaited her face expression most I had wanted for. Only a few seconds, she made it again! I snatched it on paper like a hunter in a jangle! It was a challenge and fun to paint her with a help from my "memory/impression."
Friends, how do you finish up sketching a figure?
Regarding a body, I start anywhere that interests me most. I do not have a specific order to draw a body. So, the sketch above, her "hands" fascinated me most and I drew them and moved on shoulders. The point was balancing between a head and hands in composition. Do you have any order such as from "top to bottom"?
Well, "out of order" seems to my methods?!! I assume "being very flexible" is one of my most strengths in drawing figures. It's not methodical, very handy and free to capture people.
3) Under a Heaven There's a Season
Choose your most favorite medium and loving subjects, especially, when you get stuck. Listen to your heart. Without joy, no one can go on.
I've started daily sketching figures at anywhere for these ?? years (you can put any number and have fun?!). Oh,
believe me, quick sketching was so tough at the beginning. How many times I felt like giving
up! Too slow to draw a person. How could I put colours, even I could not draw a figure?
But I could not give up my wish. I wanted to sketch people in a few minutes and to capture movements. I kept on sketching anyhow and gradually speeded up sketching. It excited me so much = I saw my improvement on paper and enjoyed it. Now, today, you know how I sketch people. So, I'd say, "Friends, never give up and just keep up."
Before starting this blog, you do not know how many "copy papers" I had wasted! Oh, I used both sides and kept on drawing, drawing, drawing! I did black and white for many years and moved onto colours. I used coloured pencils before getting into
watercolour. Very interesting finding is "I'm NOW in the season of colour and watercolour." I
feel like playing with colours more than monochrome work. I know once, I
loved b&w more than colour! I feel it's important to listen to my
own heart and to know what I really want to do and do it!
When I'm lost in art, I always keep drawing, drawing, drawing. I go back to black and white sketching and life drawing. Drawing always pulls me back and gives me a new horizon to
challenge. Although this sounds contradicted, I try something new all the time (life drawing members said so and I've realised!) I'm trying a direct painting on paper without drawing. Not easy, but these are fun and labour pains! I feel I've begun
to emphasise a personality more in figures, too.
Friends, please be kind to yourself. Step by step one goes far. Just keep on drawing and make tons of messes. Then, you'll get better and better! Don't forget to "enjoy" drawing. Otherwise, we cannot go on.
Also, if you do not mind, let us exchange a chat over how you draw figures. Chats will be fun and mutual encouragement, too.
Now, the one hand is nearly healed. Thank you for warm cheers. Please let me be lazy more for blogging.
Friends, Happy Painting!!!
Sadami's Drawing Methods of Faces & Figures
