Interested in purchasing artwork? Please leave comment with your email address. I'll contact you.
CV & work availabel at "Stylefile," "Art Access Australia," "City of Ryde."

Monday, December 22, 2014

Merry Xmas & Happy New Year!

Hi, Friends, are you enjoying your holiday season? Yes, we are! Thank you for your wonderful support all through this 2014. With your cheers, I could achieve many projects this year, particularly, in publishing industry. It's ongoing in 2015. The publication of a frist trade picture book, "Moon" excites me most!!
2015 will be very busy though, I will do my best for work and find time in creating fine art, especially, for "portraits." 

Today, I could catch up Sydney sketch club members in the last meeting of 2014. Very nice to see old friends and new faces. Close friends celebrated my good news in publications. So sweet! I'd make time as much as possible to join sketch meetings next year.  
Donation for Children Cancer 
Also, if I could find time, I want to do something in a welfare area like I did for Wesley Mission's inclusive art work project. It will be my pay back to society. 
"Santa on an Off Day"
I heartily wish you a Merry Christmas and a very Happy New Year. I attended a carol service tonight and prayed for you, too. Please take care. Have a safe and joyful holiday season. I hope 2015 will be a wonderful year for you and me. 
Friends, Happy Painting! 
Best wishes, love and smile, Sadami. 










 
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Monday, December 15, 2014

"Book Illustrated" @ a beach in Melbourne

Hi, Friends, I visited Books Illustrated in Melbourne. Ann Haddon and Ann James are joint Directors of Books Illustrated. They warmly welcomed me. The Book Illustrated promotes Australian picture books. Friends, come over to the Book Illustrated, the pretty little white house is facing a beach. NOTE : Please take an appointment. 
Contact +61 3 9534 7751  info@booksillustrated.com.au
300 Beaconsfield Parade, Middle Park, Melbourne.
The Book Illustrated has a gallery and a showroom for exhibitions, sale of original illustrations, limited edition prints and signed picture books by the Australian Children's Laureates! Enjoy ideas for unique literary gifts there. 

This photo is the entrance. At the left hand, cards are on a desk, too. Let's go to a next show room. Yes, get through a door. 
This section has many Bob Graham's picture books, 2014 PM Literary Award winner. The eye catchy limited prints are on walls. They are qualified prints that are exactly the same to originals. Or some of them might be orignals? I might as well ask Ann which is original. 
The room is full of Australian picture books! Ah, a heaven, for me! I enjoyed reading as many as I like. Isn't it nice? Even though I know many of them, I love to reread them. 
For indulgence and early Christmas presents, I bought Shaun Tan's "The Bird King and Other Sketches" and "The Butterfly" illustrated by Ann JamesThe Butterfly has so many beatiful watercolour illustrations. It was short listed for NSW Premier's Award in 1997 and today, is included in Walker Classics. 
Yey, Ann James signed it for me! 
Ah, I wish I could buy all of them! I thought, seriously. A display was good and I felt it feminine and sweet. 
Ann Hadson and Ann James are lovely and so busy persons. They are the real key persons and the engine for Australian picture book publishing industry. It was wonderful for me to share time with the people who have same interests -- picture books and illustrations! I've learned a lot from the talk with them. Thank you for your precious time, a kind permission to take photos and ... nice tea! 
Friends, if you want to know Australian picture books, come over to the Book Illustrated in Melbourne.  
Ah, I've posted all posts related to my Melbourne visit.
Friends, Happy Painting!  





























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Saturday, December 13, 2014

Mem Fox Best Loved Author @ Sydney Writers Festival

Hi, Friends, I'll write about another Australia legend author, "Mem Fox." Mem is tremendously popular and famous in USA as well as in Australia and other countries. Probably, many American blog visitors may know Mem's work and her name. I enjoyed her talk, "You can write a story" at Parramatta Riverside Theatre. The event was a part of Sydney Writers Festival 2014.
Mem, this so charming lady, is an amazing ENTERTAINER! What a comedian she is! I always wanted to see her reading out in my eyes. Fantastic. That is a magic! A book flyes across an air, jumps, flipps, whatever. Her reading pace and tone "colours" a text well and beautifully. A story comes up alive in the air, when she reads. I want to read out picture books like her. Her body language and face expressions are so rich and funny. Sense of humour shines through her talk. How many times did she make us laugh and giggle? Mem sings, dances, and we sing together! Yes, Mem gives books lives. Her so rich body language and face expressions amused audience.

Mem knows well about the importance of "talk" or an oral language. Her writings heavily weigh on a "rhythm," as she emphasise. So, her work is easy to read out and very well considered words are wonderful. To write a short story is much, much harder than a long story. Only well selected and necessary words should be in a story. A plot must be interesting. It's a very difficult and demanding task (*so, a good editor has an important role!). Another element I love in her stories is the beauty of "parental love" especially, relation between a mother and a child. It repeatedly comes up in her texts. Sure, this lady really loves children! Her life story is full of colourful episodes. Very inspiring.  
Just after Mem's fabulous one-woman-show, I asked her to sign my sketch.
Kind Mem happily signed the sketch. She already had noticed my sketching during a talk, for I was sitting at the centre in a second raw = nearly in front of Mem!
"Ann James is my mentor. Helen Chamberlin is my editor," said Sadami and told my debut next year. "Super!" Mem said twice to celebrate my blessed publishing team and the first trade picture book publication. Friends, remember, this international super star Mem experienced times rejections of the first manuscript of "Possum Magic" and ... it turns out "million seller" in Australia and all over the world. Statistically, one in two Australian has Possam Magic at home. It has become classic in modern Australian picture books. Once or twice rejections are not a matter. Perseverance! 
After the talk, people made a long queue for Mem's book signing. I observed her carefully and learned how to handle many people and signing. 
Any event gives artists chances to connect others.
Teacher librarians sat next to me. My quick sketches impressed them and they happily picked up my business cards. I hope I will make audience or children happy next year in my own "talks" of our picture book "Moon."  Two ladies, Jeanmarie Morosin and Allison Lee working for Sydney Writers Festival, showed a strong interest in Moon. Particularly, Allison, when she heard Libby would be my book launcher at Gleebooks. She also said, "Ah, you have a good mentor, Ann!" (*thanks, Libby, Ann, Helen! You always help me directly or indirectly!) She happily got my business card. I hope 2015 will be a good year for Moon.

These days, I've accumulated posts. Thank you for your patience. To make up my laziness, I'd upload them as many as possible before 2014 will be gone.
Also, Melbourne visit has given me confidence to sketch architecture. I will try more and share sketches with you.
Friends, Happy Painting!



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Thursday, December 11, 2014

3days Stay in Melbourne, John Barrow Collection, PM Literary Awards

Hi, Friends, I spent time with Australian prominent illustrators, authors, publishers and agencies at John Barrow Collection organised by the mentor Ann James in Melbourne. It displayed the priceless original illustrations and illustrators' work processes. It was amazing to see the originals in my own eyes and compared them to picture books set at originals. I've learned lot. Great fun to meet super stars in person such as Leigh Hobbs, Gabrielle Wang, Jane Tanner, Craig Smith etc, etc, oh, too many to write them up. Some people who could not join ask Ann to have it again in next Feb. Sweet editor Helen Chamberlin took me to a cafe and we enjoyed a chat. The very supportive editor introduced me to others. I really appreciate many people's support.
"Flinders St Station" (A4)
A next day, Monday, Ann and Helen were invited to Prime Minister Literary Awards 2014
in the evening. Helen accompanied Shaun Tan. In a Children's fiction section, Bob Graham's picture book, "Silver Buttons" won!  I love Bob's work and admire him! Bob donated his winnings to refugees! What a marvelous coincidence! Ann James organised Bob's exhibition in Canberra in the past June this yearWe celebrated Bob's win. I'm very happy to work with such a fantastic mentor and to be surrounded by humanistic illustrators who have a big heart and passion for social justice.  
 "Melbourne Town Hall and Trams" (A4)
In Melbourne, trams are cute and ringing "ting, ting" always.  
Btw, it's much cooler in Melbourne than in Sydney. In Sydney, I do not need any long sleeves in summer, right now. But in Melbourne, a light overcoat or a jacket are essential. How come? Beside a cool temperature, a weather is changing dramatically there. It is called, "Four seasons are in a day," brrrrr! I luckily sketched architectures in sunshine. I had thought I had been quite poor at architecture until Ann said, "You draw architecture well. Very accurate. Yes, you do!" A happy surprise for me. I've got confidence! I'd like to enjoy architectures. 

One more, I'd write about the wonderful volunteer spirit in Melbourne! (Sydney does not have them on main streets.) When you get lost on streets, what/whenever, find people in red uniforms. They happily help you! Volunteers love Melbourne! 
Thank you for people in Melbourne. You gave me a wonderful memory and heart warming time there. 
Now, I'll work on ongoing projects and portraits. 
Friends, Happy Painting! 













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Monday, December 1, 2014

1) Life Drawing 2) John Barrow Collection @ Dromkeen Homestead

Yahoo, Friends, we enjoy life drawings every Monday evening and nearly at the end of a term. In this term, I weighed on black and white as well as watercolour. What do you want to draw in life drawing? My most interest is the uniqueness of each model and the beauty of our body. I love life drawing. "Let's have fun!" is my motto, although not many people seem to have fun in it. All my life drawings are on A2. It's wonderful to move around arms and hands biiiig and free. Yes, try it! 
Dry and theoretical teaching is questionable, in my view. It brings down many passionate people. Consequently, some people will even hate life drawing. Friends, don't worry measuring a proportion. I've never scaled proportion of a body with a charcoal or something. Although I might be wrong, tens of millions drawings will give our eyes a good measuring system in a natural way.   
*played with oil pastels in a few colours. 
Movements and face expressions are fascinating, aren't they? I keep drawing a model all the time from any angle, even a model is just taking a rest and not making a posture. I feel such a little snap-shot-like moment often turns up a nice drawing in a lovely mood that tells a model's inner world well.
Technically, if a rhythm comes up in lines, it looks lively. It means, if a work has strong lines and modest lines in it, a drawing looks nice. Regarding watercolour on A2, if you can control the amount of water, you will be a winner, especially, in case of a thin paper.   
(*this model was still putting on a top.) 

A model and other life drawing club members love looking at a model's individuality in my work (thanks!). I often do not have "words" to depict my work. Probably, I might not be a type to talk too much about my own work. I'd let my work "speak" instead of me. A dawing is me. I just love to enjoy each life drawing's outcome.
This model says, "Your work depicts me," and looks at this work with a big smile. Thank you for encouragements. I hope a personality or emotions will come up in my drawings.
Yes, my love for people motivates me to draw it.

Now, this weekend, I'll visit Melbourne again to see mentor Ann James and editor Helen Chamberlin. Ann has invited me. On 7th, Sunday, we'll enjoy John Barrow Collection (Australian famous picture books from 1998 to 2004) at Dromkeen Homestead. The exhibition will display the crucial part of Australian contemporary picture book. I will see people deeply involved with in Australian publishing industry such as top illustrators, authors, librarians, teachers and so ons in a broad spectrum. I certainly feel sweet Ann wants me to study about our publishing industry history, while having a fun. Yes, I will!    
So, please pardon me if I will be lazy for blogging. But I'll certainly post what we enjoyed there. Look forward to my report of our fun event!
Friends, Happy Painting!

















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Monday, November 24, 2014

Close Up Portrait 1

Hi, Friends, have you ever tried a "close up" portrait, particularly, a bit head-off one? This is my first try in life, for I've always included some part of a body. I'd share my findings in a close up portrait in this post. Close-ups in portraits are quite an intertesting genre, I've felt! A close up eloquently tells a life story and a personality. This lady's eyes and mood caught my eyes. I hope viewers will feel this lady's life history and imagine what she's thinking.  Yes, I have my own thoughts of this lady and her personality. I hope they will come up in this try. So, I leave it to you.  
Technically, a close up was not easy for me. I've realised that I always scale each body part in a whole to balance it. I need to draw close ups more to explore it. I did a bit different approach. After watercolour, graphite emphasised some areas. It worked well. Unlike a sketch-like portrait, I feel, exaggerated strong lines or values work well in a close up. But ...mmm... I feel... already overworked? This work reminds me of my "old work" before "loose up." Anyway, I need experience! 

In the process of developing the image, I focused on the model's eyes. You can compare the eyes below with the above. This was the beginning and I was just playing with watercolour. I felt her personality coming up and worked on it more. I always simplify or delete unnecessary visual information as much as possible, which helps "don't overwork" as well. Also, I feel good loose watercolour has a nice balance between softened edges and hard edges. The edges of hair were softened. I felt I should have blurred hair at an early stage of watercolour, for hair was not important in this message. 
But the problem was that the image of a background did not come together with a subject. (so, I got on hair without a background.)
Friends, how do you handle a background? I admire other artists who organise backgrounds well.  Apart from a technical approach, it seems that I'm very much like an instinct person. (*Often technical tips haven't helped me. Always it turned down my liveliness and lost something from an original work. Not easy.) For me, sometimes, a clear image of colour, etc come up with a subject from the beginning. But sometimes it does not. This case is not. If I dared to add something in a background from the beginning, it always turned out dull or mismatched to a subject. A worst case was "mess up." So, I do not push myself too much and take a short break now. I'm waiting for inspiration will come up. If it does not come up, I'll leave it blank or try it again from the beginning. 

In the process, the model has begun to talk to me. I enjoy listening to her, although I'm making this image and all is my imagination. I'm very much interested in her eyes. I look into her eyes...  It's the beauty and fun of creating a portrait. Subjectivity and objectivity comes together in a work.


I saw many interesting close-ups in Archibald and Moran National Portrait exhibitions that intrigued me. In this attempt, I've found that I've always scaled eyes, a nose and mouth etc each "face part" position and value in a whole body, naturally and automatically. It means without a whole body, it's a bit inconvinient for me to allocate each face part. I certainly got a small image such as a "thumb nail" is easy to perceive and to handle. Some tips -- Choose a face part that impressed you most and emphasise it/them, is a good idea. Simplify visual information and check value all the time. A background remains my assignment. ...gulp... a bit scary though, I want to challenge a background. Be brave, Sadami! This work did not go well though, it becomes my precious stepping stone to move on. I'll do lots of close ups!

Btw, I've submitted a finalised image to Oxford University Press. A linguistics professor is happy. I hope it will go well! 
Friends, Happy Painting! 



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Monday, November 17, 2014

Sadami Update & ASA Stylefile

Hi, Friends, how is your life? I'm working on the book cover project for Oxford University Press. OUP is the largest university press in the world, and the second-oldest, after that of Cambridge University Press. I've been really enjoying this project. Nearly there. Later, I'd chat over the author and the book to be published next year! I'm renewing my images for ASA stylefile. A bit busy. 

In this post, I upload the work based on photos taken at my friend's all hand-made house in bush. Contrast and value are enhanced in the work. Colours and light fascinate me in any subjects. I really liked this attic bedroom there and took many photos of it. Btw, it seems, Friends, you like this one more than the other in feedback.  

Although I wanted to depict light coming into a shed, in my eyes, an outcome is a bit questionable... (* there aren't the clear visible lines of light in a real photo -- all from my imagination.) Anyway, I'll keep on experiments.
Now, you may ask, what is "ASA Stylefile"? It is the showcase of Australia’s most talented book illustrators. Australian Society of Authors calls for new applicants. Here's the application. http://beta.thestylefile.com/apply Go for it and take a chance! 

If any illustrators are searching for a reliable and trustworthy illustrators "show and tell" place, it's ASA Stylefile! The Stylefile is famous for its high quality, indeed, the best of best Australian illustrators showcase. The Stylefile is the hot meeting spot for publishers and illustrators. It is well-known that publishers "buy" illustrators from the Stylefile. Many illustrators have got projects through the Stylefile.   

Right now, ASA is reconstructing the old Stylefile to the modern one. I'm reorganising my old images and adding four more images. A panel will examine the quality of new images and give me an answer. 

Another wonderful fact is that the Stylefile gives "credit" on emerging artists and promotes successful applicants. Because the Stylefile does not discriminate artists who have not published picture books, it's a great advantage for any artists. Why not add credit on your portfolio and a CV? In my experience, agencies asked me, "Do you have Stylefile?" It meant, "Are you a qualified professional?" or "Do you have an equal and enough drawing ability to a professional?" Got it? People in publishing industry highly recognise the Stylefile. Yes, the Stylefile is the big warranty of illustrators on market. 

I still remember the moment when I got through the selection in 2011. Kind ASA staff celebrated, "Have champagne!" over the phone. Yes, I did! Oh, sweet, how happy I was! 
Also, I'm enjoying portraits by watercolour between the projects. Ah, I most love figures and portraits, although I enjoyed these light and a room for a break. What do you think about these tries? I'd greately appreciate your feedback. 

Now, I'm preparing for a good start for 2015. The two publications, the academic book and the picture book are a great joy. OUP is fantastic and exciting!
You, too, enjoy drawings and get opportunities. Thank you for warm supports for the news of the shortlisted "Poetic Justice". 
Friends,  Happy Painting! 



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