The other day, I met a wonderful artist in a sketch club. He said, "All is process" about our drawings from his rich teaching experience. In his eyes, some people try so hard to draw meticulously accurate and struggle to create masterpieces, which forces watercolour to behave like their expectations. Outcome disappoints the people. "But watercolour does not like that way!" the upset artist voiced. In his say, a personified watercolour amused me so much and true! He called himself a tough or unwelcomed teacher and whispered me the wise say with a mischievous smile. I perfectly agreed with him. I said, "All work is experiment. My growing process." He smiled back at me.
But a sitter is not always happy to be depicted in an "ugly" or unfavorable way by an artist. This episode is famous that Archibald winner Ben Quilty took time to negotiate Margaret Olley for his model. Fortunately, my model allows me to express what I feel freely on paper. She well knows the importance of freedom for artists. What about you, Friends? Do you have or have you ever experienced difficulty in the working relation with a model for portrait work? If you have, let us share your pain.
Btw, technically, interestingly, I "correct" my pencil drawing or an initial sketch by putting colours. See the process. I do not erase wrong lines. The remainded lines help me capture a subject better. My colouring repairs line work. I've felt I'm not a line dominant drawer, but a colour oriented painter. In my work, a black and white drawing is a simple "assistance" for colour painting (Does it make sense?). Lines are the fewer, the better for me. I admire an artist who can use strong lines, for I'm not good at drawing! I want to study how to use lines more.